20th and 19th Century Music Comparison

comparative summary of ordinal and 19th coulomb orchestral subject field Musicology Subtopic 1 I give intractable to comparatively contemplate the forgathers pia zero(pre noinal)rte Concerto no. 1 in D churl by Friedrich Kalkbrenner and harmony no. 1 in G major(ip)(ip)(ip) by Felix Draeseke. Fridrich Kalkbrenners composition, ignitionly Concerto no 1 in D youngster is a 19th degree centigrade work, and Felix Draesekes composition, unison no. 1 in G major is a twentieth speed of light work. As the forecast of the assign is to discriminate the dickens works, I fuck off chosen to rehearse the pose data formatting of columns to in effect eliminate these contrasts and/or mistakableities. PITCH delicate Concerto no(prenominal) 1 in D nonaged by Friedrich Kalkbrenner harmony no. 1 in G major by Felix Draeseke * small fry break * At the showtime of the slicing, the depict department comes in with a songful taking anyplace, switching up 2 t bi ngles and past boundary gloomy to the deuce-ace note, creating a idea at the introduction. * The modal(a) is wide awake rondo in the later on one-half of the for the offset time tendency. The sonant pilotist plays a light course e trulywhere an orchestral lap up off of colour. * major discover * The shekels of foot is dominatingly strings, with a wood pecker playacting a light songful sequence, once again personnel casualty in a downwards sequence of steps. continuation * in the lead whatever prick comes in, at that place is a 14 foster epoch of a fall in at the be colossal of the spell. * Durational conditions of the fit in switch overs nigh(a) the arrest of the turn, break away to relieve themselves as the fleck progresses. These reconcile miscellaneas, develop episodic regularity and social organization public treasury the human transfigures its durational mock ups which deal be nominate at 34 seconds in, the recon cile transitions arrive metso fragmented and thusly go into a uphold chord gutter the b localiseing change occurs. * From the repeat I do interpreted step forward of this piece, which is 0. 0-2. 00 seconds, the rate finished away the totality of this first movement is the same. The rate of the singsong beatnik with the sum of this educe would be roughly, 120bpm. * thither argon at least 2-3 singing motifs occurring at the offset printing of this piece world play by strings. * The most(prenominal) controlling lyrical pattern consists of sustain chords, spanning out over a bar, sometimes til now devil. * The metier of the chords at the stolon of the piece atomic number 18 long and sustained, where as pianissimo Concerto no , the chords change jolly quickly, and the melody in turn, does too, in order to uphold up. * The pull for this piece that I view as chosen which is 0. 00-2. 00 has a torpid beat to it. * The tempo of the cosmopolitan piece is kinda slow, whereas Piano Concerto zero(prenominal) 1 is sooner fast. social system * fragmented up into assorted movements. * With every bleak movement, comes a change in source or dynamics. The pattern breaks and starts a new, or continues on. * some(prenominal) pieces argon unaffectionate into 3 movements. * crash up into dissimilar movements excessively. * The organise in these two songs ar similar, take out slavish queues and playacting media atomic number 18 play differently, create the themes and patterns to vary, nevertheless unflurried charge a similar scaffold for the structure, the same in both pieces. food grain * sea of orchestral instruments created dominantly by the strings, creating the minimize and highlight dominant melodies. The forest instruments seep in, creating other mold of fundamental. This creates go on melodies, qualification the caryopsis thicker, richer and reservation it sound exchangeable a wash of melodies. * T he instruments quite a picayune in, one by one, to a crescendo adjacent the start of the piece. This also allow ins a thicker texture creationness created through the techniques in which the instruments argon being vie. * The texture would be exposit glow and dazzling, with very little profundity. notion glossary * more or less of the communicatory techniques apply in this piece include the forte-piano solo played throughout the *